The result, which came out in October, only about a month before Cohen’s death, opens with the title track, which seems to be about surrendering to the end of life. “I’m ready, my Lord,” Cohen sings on a recording that includes backing by a synagogue choir and that would fit right in at a funeral. “I’m out of the game,” he adds, using a line that he repeats later in the album on “Leaving the Table.”
Then comes “Treaty,” another melancholic number, in which Cohen proclaims, “I’m angry and I’m tired all the time.” You want it darker? Keep listening.
As any Cohen fan knows, the mood here doesn’t exactly represent a change of pace. This was a man who spent his entire career writing songs infused with sorrow and who was waving goodbye to the world as early as 2012 (see “Going Home” on Old Ideas). Befitting the title, though, this album is perhaps Cohen’s darkest yet.
That may make it sound less than inviting. But Cohen remained a master till the end at mixing regret with joy, surrender with persistence, and nods to mortality with a pervasive love of life. I find myself returning repeatedly to the album, drawn in by the emotion-soaked, violin- and organ-spiced music; the concise, evocative lyrics; and the singer’s mesmerizing, deep-throated baritone.
You Want It Darker is a fitting last addition to a superb catalog from a performer whose likes we won’t see again. He was a modest man who talked about how it took him a long time to write a lyric and who sang about how Hank Williams was “a hundred floors above me in the tower of song.” In fact, as this album reminds us, Cohen belongs with the greats, right up on the tower’s top floor.