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    <title>Tony Michaelides - The Morton Report</title>
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    <id>tag:www.themortonreport.com,2011-10-04://1</id>
    <updated>2012-05-12T16:18:35Z</updated>
    <subtitle>Where Popular Culture Meets Swanky Living</subtitle>
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<entry>
    <title>Celebrating Record Store Day</title>
    <link rel="alternate" type="text/html" href="http://www.themortonreport.com/entertainment/music/celebrating-record-store-day/" />
    <id>tag:www.themortonreport.com,2012://1.3171</id>

    <published>2012-05-12T16:20:00Z</published>
    <updated>2012-05-12T16:18:35Z</updated>

    <summary>Record Store Day is truly a momentous occasion for those who care. It&apos;s about music and it&apos;s about artists. It may only happen one day a year but it really is wonderful to see such enthusiasm and community spirit. </summary>
    <author>
        <name>Tony Michaelides</name>
        <uri>http://tonymichaelides.com/</uri>
    </author>
    
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<p>Saturday, April 21st, I ventured to
my downtown home of St. Petersburg ready to celebrate Record Store Day, an
internationally acclaimed annual event celebrating believe it or not, record
stores the world over! And what a great day of celebration it was. My chosen
destination for all this: Daddy Kool Records. They'd opened early to the glorious
sight of excited music fans already waiting outside and hopeful of purchasing
one of the rarities reserved for this special day.</p><a href="http://www.themortonreport.com/Record%20store%20day%20logo.jpg"></a>

<p>Record Store Day is truly a momentous
occasion for those who care about music and artists. It may
only happen one day a year, but it really is wonderful to see such enthusiasm
and community spirit. It evokes fond memories of trips in to Manchester (UK) to
buy my records on the day of release. The staff had become friends and each
Saturday they would have a pile of new releases ready for me. When I arrived
I&#8217;d be ushered into the listening booths for the next four hours. Evenings
would be spent at a friend&#8217;s house listening to what we&#8217;d bought that day.</p>

<p>Midweek it would be visits to
my friend Barry's magnificent record store in Sheffield, where I would bury my
head in rack upon rack of US imports. Lost in the moment, I would be searching
for the record that would change my life. Record stores back then had a great
sense of community. So many bands were formed within them, so much advice given
over the counter from the diehard music fans who worked there only too keen to
share their knowledge with fledgling artists, desperate for a chance to make it
big. Artists back then were in it for artistic reasons, not necessarily for
fame and fortune, but to have the chance to be heard. And record stores were an
integral part of getting yourself known. If you were building a fan base and
the local record store didn&#8217;t know you, then you were going about it wrong. </p><p><a href="http://www.themortonreport.com/rec%20store%20day%20Daddy%20Kool.jpg"><img alt="rec store day Daddy Kool.jpg" src="http://www.themortonreport.com/assets_c/2012/05/rec%20store%20day%20Daddy%20Kool-thumb-380x252-16223.jpg" class="mt-image-right" style="float: right; margin: 0pt 0pt 20px 20px;" height="185" width="279"></img></a></p>

<p>Great stores manned by great staff meant for a great hobby and a great life! The thrill I would get walking in to a record store and picking up a record, scrolling through the credits to see who appeared on it, what label it was on, who produced it. Music was the common interest we all shared; our favorite pastime and our greatest passion. If someone had discovered a new band they couldn&#8217;t wait for the opportunity to
turn their friends on to it.</p>

<p>My first foray into the musicindustry was in 1974 when I worked as a sales person in the north of England for a folk and jazz label, Transatlantic Records. Ironically enough, the first person I ever met in a record store was fellow &#8216;This Day in Music&#8217; columnist
Neil Cossar! Neil was a sprightly teenager back then working at the HMV store in Manchester, the epicenter for anything you&#8217;d ever need to know about music. Once
I&#8217;d sold them my catalogue, I was out on the floor wading through the new releases and the huge amount of stock they carried meant that I was rarely out of the store in less than three hours.</p>

<p>But for a generation growing up who don&#8217;t feel the need to pay for music, but instead choose to &#8216;acquire&#8217; it then it&#8217;s probably meaningless. Music to them is transient, it serves a purpose, it&#8217;s there for the moment and then it&#8217;s gone. Their attention span is short
which means the likelihood of creating careers and breaking artists is slim.</p>

<p>I wonder if music will ever evoke the same memories for today&#8217;s youth as it did for me and my generation, and the ones before me for that matter. I can look back over forty plus years and pinpoint albums that were crucial to my youth, adolescence and everything
before, after and in between. That kind of buzz never goes away and you start to realize how the music business took away the excitement and contributed to people caring less about music. They took it away from those very same people who were ultimately their livelihood. (I&#8217;ll save any further thoughts on that until a future blog.)</p>

<p>As the industry changes, evolves, and perhaps disintegrates, the more you grasp on to what it was that made it so unbelievably exciting for us all. Music brought people together and enriched our lives.There is nothing quite like music to take you back to a place and time
and invariably with a person. Whenever I think of a record that was special to me it would take me back to that moment and everything around me would reappear and be so vivid. It&#8217;s an event and we are back there and whether surrounded with sadness or something to rejoice, music always made an impact. </p>

<p>Our stores have been rapidly diminishing year after year as we plunder deeper into the digital age. I feel sorry for those who have never had the experience we had, never had it to miss. We helped create those rock stars the moment we picked up what they spent many months to create, their record. We bought those records and we looked forward to seeing them play live. We helped them live
their dream and they gave us ours. We shared that common connection where music
brought us together.</p><p><a href="http://www.themortonreport.com/Record%20Store%20Day.jpg"><img alt="Record Store Day.jpg" src="http://www.themortonreport.com/assets_c/2012/05/Record%20Store%20Day-thumb-380x205-16225.jpg" class="mt-image-right" style="float: right; margin: 0pt 0pt 20px 20px;" height="143" width="266"></img></a></p>

<p>Even though money is tight, help us save a glorious industry. Keep music and record stores alive. Visit your local record store and you&#8217;ll still find the person behind the counter just as keen to guide you to some great music. There aren&#8217;t as many, but they are just as
important, if not more important than they ever were. Be part of that elite group of people ex Rolling Stone&#8217;s manager Andrew Loog Oldham referred to as &#8216;the industry of human happiness.' </p>

<p>Nostalgia when it&#8217;s that good, never goes away. </p>]]>
        
    </content>
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<entry>
    <title>Monkee Business: The Real Davy Jones</title>
    <link rel="alternate" type="text/html" href="http://www.themortonreport.com/entertainment/music/monkee-business-the-real-davy-jones/" />
    <id>tag:www.themortonreport.com,2012://1.3114</id>

    <published>2012-04-04T16:20:00Z</published>
    <updated>2012-04-04T23:49:06Z</updated>

    <summary>In the &apos;60s there were two Davy Joneses. Both were pretty; one became David Bowie and the other stayed the same. The Davy Jones we all grew to love teamed up with three others and The Monkees were born.</summary>
    <author>
        <name>Tony Michaelides</name>
        <uri>http://tonymichaelides.com/</uri>
    </author>
    
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        <![CDATA[<p>In the '60s there were two Davy Joneses. Both were pretty; one became David Bowie and the other stayed the same. The Davy Jones we all grew to love teamed up with three others and The Monkees were born.</p>

<p>The Monkees defined what pop music was all about, something to have and to hold and to cherish. A part of our youth and a part of
why we are alive &#8212; to have fun! We bought their records, we saw them play, and we
(well, some of us) screamed with hysteria at the mere sight of them on a stage. It wasn't just Beatlemania back then, there was a mania that erupted whenever there was something we adored.</p>

<p>Pop music enriched our lives, it did make us happy. When that signature tune rang out, "Hey, hey, we're the Monkees," we just knew we were in for a fun time. The Monkees made us happy, they made everyone happy. And now the sweetest Monkee of them all, Davy Jones, has passed and a little piece of our past has....passed. That happiness is now tinged with a little sadness and the most wonderful of memories.</p>

<a href="http://www.themortonreport.com/uploads/pics/The%2BMonkees%2Bmonkeesc2.jpg"><img alt="The+Monkees+monkeesc2.jpg" src="http://www.themortonreport.com/assets_c/2012/04/The+Monkees+monkeesc2-thumb-380x255-15728.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" height="255" width="380"></img></a>

<p>Unlike most bands of the time, the Monkees were not formed by its members but by TV producers for a fictional band for their TV show of the same name. They formulated an idea for a show about a Beatles-like band then put ads in newspapers seeking musicians to star in the series. The band, all with some musical background, was composed of Mike Nesmith, Mickey Dolenz, Davy Jones, and Peter Tork. Although Davy was seen as the front man he was mainly a backing vocalist, chosen more for his pretty boy looks while the drummer, Mickey Dolenz, took the lead vocal in most of their more popular songs.</p>

<p>The show debuted on NBC in 1966 and was a huge success, yet the band lasted only four years. The show went on to become their nemesis; they had no artistic control or say in anything that went on in the show. They weren't allowed to write or play anything original and their only function was to turn up and fool around. They were just The Monkees, monkeying around. They began to hate it.</p>

<p>By 1967 the Monkees had become the most popular band in the US and by 1968 they were already straining for any ounce of credibility. Starring in the bizarre psychedelic movie <i>Head</i>, the TV series came to a close that same year and the Monkees broke up soon after. They had made such an impact that their legacy remains to this day and the recent passing of Davy Jones has reignited the fondness and affection that we all felt. We loved having fun and they were the perfect embodiment of that. If they didn't particularly enjoy the ride, they never let us know and for that we are eternally grateful.</p>

<p>Pop music today is quintessentially manufactured by those behind the scenes but stand any of Simon Cowell's proteges up against the Monkees and their combined careers won't add up to a fraction of that of the Monkees.</p>

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